Vocal Rising Stars at Caramoor, fifth season, day two: buckling down
Today was our second (and last) with John Lidal, and we went through the whole show with all hands on deck. Of the five languages on the program, English and German are familiar and non-threatening; but navigating the intricacies of Danish, Swedish, and Norwegian is a mind-bender. An “ä” sounds one way in Swedish and another way in German; g’s and k’s do strange, disparate things in the three Scandinavian languages, occasional consonants are unpronounced, the odd “s” turns into “sh,” and the vowels are not consistent—sometimes the Swedish “o” is “oh,” and sometimes it’s “oo.” There’s no rule to memorize, you just have to know so you don’t say “sofa” when you mean “forest.” But today I could feel that everything was falling into place, and we’re all pronouncing words like “kärlekstengeln” and “kjaerlighed” with foolhardy conviction.
Having John Lidal coaching in tandem with Michael and me all day made for an intense six hours of rehearsal. Hats off to the cast for absorbing everyone’s contributions with so much concentration. John is a benign and articulate man and could coach this concert with one hand tied behind his back, but occasionally I felt I had to step in. Toby was once again tremendously moving in “Våren” but he kept pronouncing the word “ein” in the German way, “ine.” “No, it’s really ‘ane.’” Toby would sing the phrase again and say “ine,” and John would say, “Um, no, it’s ane.” After the fourth time, I spoke up. “Toby. Toby! It’s ‘ane,’ like…anus.” Short pause. “OK! Well, now I’ll never forget it,” replied Toby. And he didn’t. Later I interceded when Theo was having trouble with the word “vakar,” which he got right when he put the word “mother” in front of it.
I continue to be bowled over by the four singers—extraordinary artists and startlingly good musicians. People with voices this good aren’t usually this smart. Music is pouting out of them, and I am more in love with these Scandinavian songs than ever. Hats off to Julia Bullock, Sarah Larsen, Theo Lebow, and Tobias Greenhalgh–and to Michael Barrett, to whom I owe so much in my life.